Surmounting the Void: Reviewing “Hollow Space: Venture”

Xantoverse

Long time science-fiction warriors C.F. Barnes and T.F. Grant, graduates of the London School of Journalism and Open University, debut their latest series (“Xantoverse”) with a bang: hitting all the high-water marks with gusto, Hollow Space: Venture reminds readers that even during a time of mass-market clones, of vapid copy-cat stories shamelessly raking in on a pop culture fad, there are still proponents of the craft for whom writing is as personal as breathing; with engaging characters more than the sum of their cardboard cutout parallels, and a morally and politically thrilling plot concerning self-determination and labor, this array a soft[1] sci-fi installations mix fantasy and science into one delicious cocktail of neophyte fiction.

The story is one of war. The people of the Crown Republic have been locked in conflict with the alien Markesians for many years. During the course of the altercation billions have died, reducing the human race to a mere gaggle of survivors scratching-by in colony ships. Destined to settle new planets and repopulate the human race, the colony ships represent humanity’s last hope; and yet, the last of these ships, the Venture, navigated by protagonist Sara Lorelle, is ambushed by a Markesian fleet.

Taking heavy damage and forced to make a retreat, Sara initiates a blind warp jump, desperate to escape her attackers. However, an anomaly happens. Instead of jumping out at a random point in the system the Venture is brought to a mysterious region of existence called “hollow space” by its denizens; short circuiting all of the Venture’s electronics, forcing them into an even more deplorable condition, Sara and her crew are coerced into accepting the aid of Tairon Chauder, the son of the infamous Miriam Chauder, and a major crime syndicate leader: one of the ruling bodies which control the space station known as Haven, a mysterious relics left behind by an extinct species of aliens called Xantonians.

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